Selected personal drawings (2018)

Apollonia Saintclair 768 – 20180102 La baronne perchée (The girl who was not afraid of heights)
Apollonia Saintclair 773 – 20180207 Le sacré coeur (Pray for me)
Apollonia Saintclair 775 – 20180222 Le pare-soleil (The Caribbean Vampires)
Apollonia Saintclair 776 – 20180303 Le tease à Venise (Selfie in a city by the sea)
Apollonia Saintclair 768 – 20180314 La lione blessée (Love is a killer)
Apollonia Saintclair 779 – 20180326 La Walkyrie (Laïla)
Apollonia Saintclair 780 – 20180329 La glissade (Sliding into temptation)
Apollonia Saintclair 781 – 20180402 Le dégoulottage (I can clench you tighter than a fist)
Apollonia Saintclair 768 – 20180428 L’animus (The end)
Apollonia Saintclair 783 – 20180430 Les piliers du ciel (The last meal)
Apollonia Saintclair 784 – 20180502 Le printemps des merveilles (She makes wonders)
Apollonia Saintclair 785 – 20180503 La constellation (All the stars visible with the naked eye)
Apollonia Saintclair 768 – 20180524 L’identité incertaine (Unknown identity)
Apollonia Saintclair 768 – 20180622 La chaleur chienne (Dog days drips)
Apollonia Saintclair 801 – 20180709 Les coeurs trophées (Doom is in the heart)
Apollonia Saintclair 803 – 20180716 la prime de libération (Released with a bond)
Apollonia Saintclair 811 – 20180908 La fille tronc (The performers IV)
Apollonia Saintclair 833 – 20181021 La reine de la jungle (Swimming hazards)
Apollonia Saintclair 768 – 20181108 Le plaisir analogique (The pixelwife)
Apollonia Saintclair 838 – 20181117 Les fourmillements (Please untangle my tingle)
Apollonia Saintclair 839 – 20181119 Le visage de porcelaine (I am not your doll)
Apollonia Saintclair 840 – 20181130 La mariée morte (Dead on arrival)
Apollonia Saintclair 841 – 20181203 Les montagnes de la main (The Far South)
Apollonia Saintclair 842 – 20181212 La Zone (Prayer to the gods of mechanics)
Apollonia Saintclair 832 – 20181222 Les affamés (The forbidden fruit)
Apollonia Saintclair 843 – 20181223 La jambe (Maria, Maria, dammi la gamba mia)

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14 thoughts on “Selected personal drawings (2018)”

  1. Drake Taylor's avatar

    L’animus (the end) is my absolute favorite piece though all of your work is exceptional. I’ve been trying to find a way to get a poster of it or something but no luck yet. I love your work so much.

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  7. Captain Kerosene's avatar

    Mœbius + Virgil Finlay (+ Caza) = Appolonia SaintClair.
    Great masters, great work. And female erotism is always far more interesting than male’s one.
    Thank you.

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  9. Michele Leonardi's avatar

    CRITIVS says: A most sophisticated Artist, and very intelligent. Not vulgar, but vital, very vital: Seduction, the creative and regenerative weapon of woman, the most mysterious world in the universe. An artist already on the level of deepening an Albrecht Dürer or a Sabin Bălașa or a Tudor Bălașa. Obviously each in her own way. The mind races to Jacques Prévert and his “C’était l’été”, stellarly far removed from the false prudery of planetary conformity.

    Liked by 1 person

  10. anthonyobrien787's avatar

    You, Apollonia, already know that as an ageing artist I am overawed by your sheer talent, your line, the rich severity of black and white, the gut-searing fire of your eroticism. People have compared your style to that of Moebius and Manara, but for me your work echoes the earlier work of the wood-engravers and wood-cutters, of people like the American Lynd Ward, the artists who worked before the dawn of comics, the artists who created “novels without words”.

    Who you actually are seems irrelevant. Your touch is so assured, your composition so beautifully balanced, and the atmosphere of your art is sensual, sexual but never obscene, never crassly pornographic. I could write endlessly in admiration of a skill so far beyond my reach.

    I grew up in a house of painters and paintings, the smell of turpentine and linseed oil, printing ink and watercolour, plasticine and lino-cutting. More than 20 years of life-drawing left me with an eye for felicitous graphic skill. And this is where your work really shines, the wonderful flow of the forms. You avoid, by some mysterious magic, falling into the traps of stiffness or rigidity. Oh Apollonia, if I had the ability, this would be a love-song. As it is, many hours disappear exploring new avenues of your work

    Please let Project M manifest as a buyable book in the near future, complete with the quatrains and their previous prose paragraphs.

    Enough is enough.

    Anto

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